Netflix’s “Honey Part-Time Job” Holds No. 1 in Korea’s OTT Rankings; “The Trap of Desire” Climbs Seven Spots
Photo: Netflix’s official page for “Honey Part-Time Job”

[DiaryPoint=Reporter Park Bo-young] Netflix’s “Honey Part-Time Job” held on to the top spot in the combined OTT rankings on Nov. 4. “The Trap of Desire,” available on Wavve, climbed seven places from the previous chart date to No. 13, the biggest jump of the day.

The TOP 20 was compiled by OTT Raon, a private service that aggregates published rankings from Netflix, TVING, Disney+, Coupang Play and Wavve. The service says its rankings take into account each title’s position on individual platforms and the size of their user bases. A title available on multiple platforms is counted only once. OTT Raon does not disclose its detailed scoring method.

▲ and ▼ show movement since the previous chart date; “NEW” marks a title that was not ranked previously. “Honey Part-Time Job” remained at No. 1, while “My Guilty Human” rose four places to No. 2 and “Doctor X: The Era of the White Mafia” moved up four places to No. 6. “Rookie Director Kim Yeon-koung 2,” meanwhile, fell 10 places to No. 14.

Five new entries, from TVING and Wavve to Disney+

The five newcomers were “Oh Eun-young Report: Hell for Couples” at No. 4, “The Remarried Empress” at No. 5, “Love Doctor” at No. 11, “Contract Marriage” at No. 12 and “The Business Secrets of Detectives” at No. 20. The ranking page lists “Oh Eun-young Report: Hell for Couples” and “The Business Secrets of Detectives” on TVING and Wavve; “The Remarried Empress” and “Love Doctor” on Disney+; and “Contract Marriage” on Netflix.

“Honey Part-Time Job,” the No. 1 title, is available on Netflix, while the fast-rising “The Trap of Desire” is on Wavve. OTT Raon cautions that availability can change, so viewers should check each service’s title page before watching.

This combined ranking is an independent tally based on published rankings, not an official chart shared by the platforms. Rankings may therefore differ from each service’s own popularity charts, and a title’s one-day movement alone cannot establish why its audience or buzz has changed.